Showing posts with label The Offspring. Show all posts
Showing posts with label The Offspring. Show all posts

Friday, May 16, 2014

Why Penises are Awesome!

It's awesome having a penis. Am I right fellas? Penises are just great. I like many varieties of penises. Small, medium, and large. Although larger ones are harder to get in your poop hole... People always want a big penis but I say that I think all penises are awesome.

Have a micro penis? Awesome! Hung like Mr Ed? Erm... Good for you!

Sorry I haven't posted in so long. Both uninspired and bored. Things have gotten better. I've been seeing more penises lately. It's been a good few months.

My new band just made a new album. We are The Vanilla Milkshakes and our new album is called “How to Ruin Friendships and Influence Douche Bags.” You can hear it here:

http://thevanillamilkshakes.bandcamp.com and then buy it on iTunes! It's that awesome! Or buy it from Bandcamp. Either way it's cool.

My favorite song on the album is “Dance! Robot! Dance!” but everyone else likes “Kreep” and “At Odds With God.” Also “Brand New Sound” is also a goodie!

Other than that, I've been thinking about penises lately. Many of them. All side by side and shaking each others hand. I'd go to a nude beach but there'd just be a bunch of unattractive people there. Why don't nudists work out?


Oh yeah. I've started to work out. Going to be all sexy and skinny for the sex and skinny that will come about this summer. Fifty push ups and sit ups a day to start off. Plus some jogging. I feel tight everywhere. I just want to look good naked. Maybe go to a nude beach and show them old folks how it's done.

Thursday, September 5, 2013

The Top Ten (mostly) Offspring Songs.

Ten Best Offspring Songs
by: David McGhee

1: Bloodstains

Please forgive me for suggesting that a cover song could be up there with the better original tracks they have. But to me this song represents all the things the Offspring rarely ever do and are so very good at. I'm talking about being heavy. Some of their songs can run head to head with many heavy metal bands. This song is like falling down and breaking your jaw in just the right way to give you a heroic cleft. It has very heavy guitars and Dexter seems to have a little bit of menace in his voice. Normally he just shouts and there is very little emotion in what he does, but in this one he sounds like he's pissed off at the microphone.

2: DUI

This has to be the best track they've ever produced. Period. So many things are right with this song. The guitars cut through like surgical instruments and the lyrics are very inventive. It was actually Noodles (co lead guitarist) who wrote the lyrics. Prompting me to think of a scenario in which Dexter is singing about boxes (or whatever the hell he sings about) and Noodles tells him what a dumb shit he is and then proceeds to write down lyrics on a sticky note at an alarming rate. Did I mention that they were both drunk and itching to break things? Because that would make them total badasses!

3: Dirty Magic

This song actually appears on two Offspring albums. Ignition and Days Go By. The Ignition version is of course rawer and more emotional. I'm sure at the time of its release it would have been considered a Nirvana rip off. Well.. Yeah. But this song was written by a man who basically made new lyrics to Ob La Di Ob La Da so let's not split hairs here. It's a catchy song and the new version has been amped up with some “whoas” and a little more reverb and chorus pedal. The overall effect is effective I'd say, affecting me in effective ways only effective songwriting can do.
Come As You Are! That's the song!

4: The Kids Aren't Alright

This is as straight forward as the Offspring get, proving that the T power chord formation on the guitar brings nothing but good things. What makes this song so unique though is that its roots are based in more on emotion and less on observation. The little riff thingy mabobber before the verses is just simplistic genius. This is such a simple song that it no doubt had garage bands all across the country face palming over exactly what it takes to make a top forty hit.

5: What Happened To You?

Ska! Never mind this song is a plea for their friend, Sublime Singer Bradly Nowell, to stop chasing that ever out of reach dragon. I know its lyrics, when read alone, invoke the very spirit of concern and deep contemplation. But still... SKA!!!

6: Fix You

It's really up to whether or not you like Snow Patrol or the Offspring better here. Snow Patrol did the melody with Chasing Cars but the Offspring add surrealistic quality to the music. It starts off with a soft guitar and is immediately follow by a piano. Before you know it the song explodes into an odd display of emotion for the band. They tried to follow this vibe with Days Go By's All I Have Left Is You but with more annoying sounds than good ones.

7: Half Truism

“If we don't make it alive / well it's a hell of a good day to die / all our lives that shine strong / only lasts so long.” What can't you love about those lyrics? And again Dexter stole from the best source material around in my opinion. None other than My Chemical Romance's Helina. Now that I think about it. It IS Helina! Fuck man! How do you guys not get sued and just how lax is copyright law!?

8: Have You Ever?

The strong crunchy beginning segues into a hardcore punk riff and shouting vocal. The beauty of this song is its use of an outro. The bassline chugs along until the band just rips the fuck out and charges full ahead with Dexter shouting “When the truth walks away, everybody stays, because the truth about the world is that crime does pay!” I wonder if that applies to intellectual property law?

9: Tehran

This barn burner comes from their first album. Aside from Beheaded, I'll Be Waiting, and Jennifer Lost the War, it's really the only other song you can sing along to. Probably the strongest track on the album. So much so that they re-recorded it pretty much the same only with the lyric “Baghdad” instead of “Tehran.” Never has an Offspring song been so blatantly politically motivated. If only they could of blended this song and beheaded and Kill the President and they could have “Kill the President by Beheading Him in Tehran.”
The chorus is catchy and the musicianship makes one wonder why they aren't ripping it out all the time? Maybe the TSOL connection was too strong at this point and Thom Wilson (producer of the first three albums) streamlined their songwriting?

10: Kick Him When He's Down


I like this song because it is very catchy and I can totally imagine Dexter being a meany poo poo head and kicking someone when they're down. They'd most likely be smaller than he is... And religious... Wow. Dexter is a dick!

Tuesday, August 13, 2013

Pretty Fly for a White Guy - A Psycoanalysis


Pretty Fly For a White Guy – A Psychoanalysis
By: David McGhee

First off I would like to set the tone of character for our subject, Bryan “Dexter” Holland, of the acclaimed punk rock combo “The Offspring.” The name itself rife with meaning and does suggest a sense of superiority towards his elders. But we are here today to discuss the band's most popular song. Which if you take a closer look, you see a cascade of racism and pity for the lesser endowed man.
Dexter grew up in Garden Grove, Orange County, California, which was at the time and still is, a high rent area. So we know that Dexter had means during his young and adolescent years. During puberty he attained what only 3.9 percent of American men will be at full height. Standing at 6'2” he automatically exudes authority and could have possibly been self entitled. Though it is rare to have a tall person without an equally endowed temperment


it can probably be said that all in all, he is probably a nice guy. We have witnesses Seth Green, who worked with the band in the movie “Idle Hands.” He said that they were really cool guys. Guys as in two or more or as in all? The world may never know. But for the sake of this argument say he is of the average male variety with an average height / temper ratio.
He has admitted in the press that not attaining success until he was nearly thirty has made him appreciate his wealth and social standing. But as said, he grew up with means and was in a family that actively encouraged academia and he has a degree in molecular biology. So he's an intelligent man. Which, you guessed it. Is common in men of higher altitude


And before you start judging this man, remember that taller men also get more poon tang.

*Look up citation for taller men more sex*

“Gunter glieben glauchen globan”

This sample (from Def Leppard's “Rock of Ages,” a song presumably about the history of rock and roll, from it's blues inspired roots up to the eighties “cock rock,” or “Hair Metal”) has no actual meaning in the words themselves. But the vein in which it proceeds is very German in sound. More Austrian maybe? Perhaps this is a shout out to the great Austrian physician, a one “Dr. Sigmund Freud,” most famous for being the father of analytical psychoanalysis. Perhaps this song has great historical context and has, in facto, opened itself to evaluation by even the most amateurish of thinkers.

“Give it to me baby
Ah ha, ah ha
Give it to me baby
Ah ha, ah ha”

The female voice is not that of his sexual partner. It was a session artist. And one of that nature can be told what to say and how to say it. The fact that Dexter had her say sexually suggestive lyrics in a Hispanic accent is perhaps a euphemism on the subject's choice of quality in girls. The “Ah ha's” can very well be coming from a deep lingering for attractive Hispanic females. Or if one was to play Devil's advocate you could say that he is, in that way that rich people seem to be, just a little bit racist.
He has already said “Niggers” twice in the deceptively catchy little diddy titled LAPD. Although you could put it in context as an allegory for the oppressive LAPD and their arresting methods. He also calls out his own race when he says “Beat all the white trash” during the same song. But it does not seem to have the impact that the other word did.
So with that in mind and from reading the lyrics ahead of time (pardon me for that) it is probably more in the vein of one mocking Latino's and their dialect. Dexter uses a lot of Spanish influence his music. Their fourth album was titled “Ixnay on the Hombre” and had matching Spanish inspired album art with references to Day of the Dead. So there is a chance he does not see just how racist he is being and is just portraying them as he accurately sees and hears them, you know, like in cartoons, specifically Speedy Gonzales.

“And all the girlies say I'm pretty fly, for a white guy”

Is this a declaration or a presumption? It has to be assured that a female has said this to the song's subject at least once during his life time. A man of his height, attractiveness, intelligence, and money can easily get any girl to say positive things about your esteem. Which may be the case here. After all, women be hookers and stuff.

“Uno, dos, tres, cuatro, cinco cinco, seis”

The use of Spanish in this song signifies the racial boundaries Brian Holland will cross. For he knows no limit to his mockery. Undoubtedly suffering from self esteem of the positive variety. Brian is confident enough in his standing to pronounce his personal ideals on those within ear shot of this song's lyrics. Pushing an agenda maybe? Let's look further.

“You know it's kind of hard
Just to get along today
Our subject isn't cool
But he fakes it anyway”

Dexter incites observations here that he would not know unless the subject was he himself. Dexter's Latino fetish can be observed on two other tracks “Original Prankster” and “OC Guns” which makes one to think that he possibly has lower self esteem than he puts out? Perhaps this song was written in order for him to come to terms with his longing to be a wigger. Oh Dexter, if only you had the money and means to seek therapy, it could help you with your identity crisis (another example of this aforementioned identity crisis: “Days Go By”)

“He may not have a clue
He may not have style”

Dexter sings this, yet is continually seen wearing T-Shirts of a more humorous, and juvenile, nature. Making one wonder what his standards for the appropriate dress just might be. Perhaps he is a shirt and jeans man, like so many others. He lacks the sense of pride that would prevent him from wearing such ill advised attire.

“But every he lacks
Well he makes up in denial”

But Dexter, aren't you aware that you yourself may be in denial. Perhaps about you may believe that the high notes you normally hit are in fact that, normal. But typical for most males over the age of thirteen, such pitches are well out of range. Although I would go as far as saying that singing in that high of a key is effeminate, but, come on, Sting!
*It is also to my knowledge that The Offspring have in fact covered The Police record “Next to You.” which sits perfectly well in Dexter's range. So... Like, come on, Sting!

“So don't debate
A player straight
You know he doesn't get it anyway”

Perhaps Dexter's assessment of this man's place in society has been askewed. For everyone has their own uniqueness to them. Who is to say that he in fact does have style, perhaps one that will be fashionable in the coming years. This is a narrow remark that would be common amongst men of his height, temperament, and upbringing. To him he sees what many people have been dubbed “Wiggers.” A combination of both “White” and the highly negative word “Nigger,” this term can given to anyone of limited means who may enjoy that recordings from rap artists and DJ masters and acts in mannerisms and speaks in dialect as such as the widely accepted and popularized persona of the ignorant male or female of African descent. It is considered a racist term for having both the root word being racist and the word itself being a blatant bigotry against white Americans. Wigger's British counterpart is the word, slang “Chav.” Leave it to the British to make racism sound refined.

“He's gonna play the field
And keep it real
For you no way, for you no way”

This seems to be confusing on some aspects. Seeing as Dexter clearly states that the subject in question will, in fact, play the field and keep it real. But for you no way? It appears that the man in question will revert from his lifestyle and music of choice back into his original personality if another human being is present. Confusing matters is that when does the subject display his ebonic vernacular or his jeans that fall to the bottom of his glutes, he is immediately dismissed as a “poser.” Which I believe constitutes posing of some kind. I don't know, kids today say a lot of mean things about each other.

“So if you don't rate, just overcompensate
At least you'll know you can always go on Ricki Lake”

Assuming the subject of the song is still “posing” at this point, it is suggested that if he does not meet up to the strict codes of the commercialized African American conduct and appearance, then one is to take it up another notch, which would in fact make Dexter's fictionl “wigger” that much more racist.
And to say that him and people of his ilk are entertaining enough in their private affairs as to give it audience on the Ricki Lake show. Forever burning 1997 into the song, making it dated once, and since, the Ricki Lake show went off the air. But once it was the epoch of eastern southern culture. A many a baby daddy gonna man up and do the right thing thanks to the assistance of Misses Ricki Lake. Exploitation never became so much of a theater and to mind you that this predates the most offensive of Jerry Springer shows. Ricki Lake was once the woman with the magic touch. One straight talk from Miss Lake would in effect cause a troubled young man or woman to change their promiscuous ways in ebonics too slurred in southern drawl to decipher properly.

“The world needs wannabe's
So hey! Hey! Do that brand new thing!”

Dexter for once applauds the ones undetermined to make their place rightly in society. For if one is rich, then another must be poor. We are not a nation of equals, which this song presents with an astounding amount of shouting. We are all different and unique snowflakes who must make our mark anyway you can. If you can't, then strive to be around those who are of a greater fortune than oneself.
Basically we need all kinds of people to make a proverbial rainbow. Everyone fills some niche that society needs filling. Some are just taller, more handsome, richer, have a bigger dick, is a stupid awful human being who is shitty and takes my girlfriend and fuc... I mean, everyone is important. That works right?
Also, Dexter declaring that his subject must do this “brand new thing,” after multiple listenings and deep analysis, I have determined this to be sarcastic.

*Cow bell*

The cowbell can only represent the ideology that our civilization was founded on agriculture and the breeding and slaughter of animals. The fact that the cow wears a bell is not lost on Brian Holland, who in reference to our great industrialized nation, sampled the cow bell from Rock of Ages.

“He needs some cool tunes
Not just any will suffice
They didn't have Ice Cube
So he bought Vanilla Ice”

To make the assumption that even the most limited of thinkers would not be able to discern the difference between Ice Cube (who has, in the past, been associated with various bitches and hos) and Vanilla Ice (who has been associated with various defunct reality programming). But if such a person of low IQ exists, it is perhaps due to a genetic abnormality that prevents one from recognizing that Ice Cube, to quote my Djing and rapping counterparts, da man gots skillz.

“Now cruising in his Pinto, he sees homies as he pass
But if he looks twice
They're gonna kick his lily ass!”

This is of course assuming the size and quantity of said “homies” with the physical dimensions, health, size, and fitness of the accosted party. To say one is “lily” is to compare a rose with a dying fetus, in aggressiveness that is. If one is to go by the young male in the video, we would assume that some of the more aggressive fifth graders could take this guy on in a bout of fisticuffs.
Although this might be the idea, putting one of small stature and of dubious mental functionality into the adver-tainment (advertising meet entertainment) that is the musical video, therefore cementing one's idea of the song's subject. To further this idea of the young male being sung about in the video is sporting a backwards cap and a basketball jersey. Also he is seen throwing gang related signatures to passing “homies.” Thus connecting in that social way that is a beat down.
One last point about these lyrics is that they are killing two very racist birds with one stone. Insinuating that these “homies” are ill tempered and that the white protagonist cannot be an effective member of the hip hop culture are both, how do I say this gently? This is one racist song.

“Now he's getting a tattoo
He's getting ink done
He asked for a 13, but they drew a 31”

If one was not to receive the tattoo they had inquired about previously prior to sale, then that would definitely be a great disadvantage to the tattooer and the business establishment in which he works. It would open up all sorts of legal action. Which men of limited means and inadequate education are known to do with the prospects at receiving a large cash settlement are in the forefront of their minds. Perhaps this set up is another one of Brian's dexterous word play? Open to psychoanalysis this song is indeed! For Brian has made the connection between “white trash” and malpractice at law. Truly clever.

Friends would say he's trying too hard
And he's not quite hip
But in his own mind
He's the dopest trip”

What constitutes a good friend? Somebody who tells this poor man he's an important addition to the getto culture of our suburbs, or somebody (male or female) who does not encourage his attempts at being street and helps him find his own unique identity. This is assuming, but it is clear to see, that perhaps this song is in effect a deep personalization at Brian's own identity crisis, seeing as he prefers to be called “Dexter” in parody of his intelligence. Thus assuming an identity of the lead singer / lead guitarist of the Offspring. Can one separate themselves from their career? Or does the labor induce such gratifying heights that one cannot separate himself.
The man being sung about is also of the mind to believe that he is “the dopest trip.” This signifies a multitude of possible personality disorders ranging from narcissistic personality disorder to delusions of grandeur. The subject would be advised to attend empathy help groups provided by his mental health provider, should he seek one.

“Give it to me baby
Ah ha, ah ha
Give it to me baby
Ah ha, ah ha”

It is to be assumed that these words take on a darker context with the prior analysis in mind. They offer to give it, and Brian agrees, but what has been given in the first place? Has one achieved greatness through working through one's racism and hate through song? Has a higher level of empathy been acquired? Perhaps not, but for one to conspire against one another via a tuneful romp in B minor? That shows a level of malevolence not seen outside your local high school. It is a sad state of affairs when a rich kid jock goes about making fun of those less endowed than he. But is is known that those with narcissistic personality disorder revel in the aftermath of ruining another's social standing in the surrounding territories of concerned persons.

Saturday, May 4, 2013

Meanings behind The Vanilla Milkshakes songs

http://goodbyetimebomb.bandcamp.com



1: We Sound Shitty so Spin will like us
            Inspired by listening to a lot of Dressy Bessy and the Thermals at the time, this song came to me instantly. Both bands recorded with a four track recorder and because I was privy to one at the time, I just played a simple chord progression and kept repeating the pattern. The chorus was me just stating the obvious.

2: Cookie Monster
            I know (or knew?) this guy named Ian Cooke. He was technically my first boyfriend I think and I sort of blew it by still being closeted. I love him and his music. He plays the Cello and sings as either the Ian Cooke band or solo as Ian Cooke. This song is basically me saying that he’s so awesome that it confounds me as to why he ever even hung out with me in the first place. The chorus was a play on my imperfect pitch. When I sing “You seem to have perfect pitch and I’m never on” I tried going out of tune as to make fun of the line.
            I wrote this song on the spot when we recorded at Brian’s Uneven Studio. Anyone who knows me can say that I just sing what comes to mind. Ian came to mind so I made the song about him. It was the first song Fez and I recorded for the album so it gave me sort of an idea as to what the album’s over all theme was going to be. Technically the album has ten songs but seven songs are really about people I know.

3: Sara T
            This song is about one of my favorite people. DJ and entrepreneur, Sara T was the first scene person I met when I first came to Colorado. I saw her band “Hot House” play before the Thermals and I immediately took notice about them. Then the Hot IQ’s played a set before the main attraction came out and I started to get a migraine headache. I was still underage then so I wasn’t allowed to go to the drinking area and such, so I suffered through most of the night. Sara came up to me when I started sitting down on the floor and putting my hands on my eyes to give them some pressure. Anyways, Sara asked me if I was alright and I said no. She then said that she would see me in a few minutes. I didn’t know what she was doing but when she came back she offered me a ride home. The Thermals were into their fourth or fifth song when we left. She bought me some dinner at Denny’s and I think just being around someone nice for a change really soothed my headache.
            She used to run a store on South Broadway called “Chielle” (I really hope I spelled that right?) Her two co-owners were Wendy Marlow and Alisa Dowel. So, like in the song, Alisa would let me into the store and Wendy would make me tea. Sometimes I’d fall on the floor and, look! It’s Sara T!
            The drug references in the chorus were just me saying things I’ve done to cure my headaches from time to time. Thank goodness I don’t get them like that anymore.
            The last part about Rob liking music AND Sara T was just me joking about his obvious crush on her. So… Yeah. Good stuff.
            The very end where all the noise is was me finishing with Fez and then going up to the amp and I turned the reverb all the way up. I played the strings across from the guitar nut (where the strings connect to the tuners) and started plucking.

4: Alan (You’re Out of the Band)
            This song is really in four parts. The verses are about the first girl I ever was “with” and about our awesome night together. The pre-chorus is about this girl who worked at a theater I frequented and mentions her in that she is a worry wart. At least that’s how she came off at the time. The chorus is about how this guy Alan from the Photo Atlas said he’d drum for me but he never did. So I fired him via song. He got the joke thankfully so it was all cool.
            The no future thing was just me saying what first came to mind, which happened to be the Sex Pistols. Because I’ll be dammed if I would ever think about my lyrics before singing them!
            The beginning “wha hup!” was actually a tape error in one of the other takes from a different song. It was too good to throw away so we added it to the beginning of the song. The ending noise came from the previous take we did and it was a little longer than the second take. So it ends where the first song ends.

5: Sorry Desi
            One of the worst things in my life had to do with getting drunk and slapping / punching (I don’t remember which…) this girl and all around great person, Desiree. I basically drank way too much and she said something mean to me, which now I’m sure wasn’t intentional, and then batted at her. I feel really shitty about it even to this day. I thought that instead of doing something like a letter or send flowers, I wrote a song for her. It’s really cool too because this was the one song that got some good radio play.
            This one also has my favorite intro to any of the songs I’ve written. Brian hit the record button on the eight track just as Fernando started up his beat. So it has a cool warp sounding thing in the beginning.
            The theatre part was just me making up something memorable that I could sing when playing. I am so bad at forgetting lyrics so I basically just repeated myself, only with different days of the week.
            The chorus was me singing about how nothing could take away the guilt. Then the bridge officially tells her that I am sorry. Although it’s along with another list of names, but the song is for her.

6: The Pessimist
            This one is basically about me being sad all the time. The chorus is almost a suicide letter I think.
            I had Fez do four drum clicks before the song started so I could sing the opening part on cue. The last chorus is me trying to sing an octave higher and I totally bombed it. I tried it twice but instead of cutting it altogether, we just distorted it and I screamed the rest. It really took Brian back because I can seamlessly scream and transition to softer vocals without even a hitch. It is always cool too because many people I’ve talked to say I can scream on key. Whatever that means… But it’s cool nonetheless.

7: Vampires
            Honestly this was a joke song that became popular during the live shows. It’s fun to play and such but it doesn’t really hold my attention. I had recorded a demo of this song and basically just redid it with better drums and recording. I even did the last part on both songs where I go “we did it!”

8: Yr Scene
            I won’t say who this is about. But I’m sure he knows he’s the brunt of the song. Yr Scene is about a scenester who has a lot of control and influence on the scene and he’s being a dick about it. It’s been so long now that I’m sure even he has realized that he wasn’t being nice to anyone and has hopefully started acting appreciative of the people who put him there.
            He had a label that had three of the biggest bands in Denver on its roster. To be honest, I wanted to be on his label but I wasn’t and never will be cool enough for him to notice me in that way. Later the label failed but for that little while he owned the scene.

9: Rich Kid
            I wrote this song a loooooong time ago, before I ever even had singing lessons. It originally started on a “B” chord but when I learned how to sing I figured that was too low to comfortably sing. I wanted it to be fast and energetic so I switched it up to a high “E”.
            For the most part the song is about this girl I met online. I was a totally creepy nerd back then and I didn’t really have the social skills to handle someone mean like her. I guess I’m to blame too seeing as I tried calling her a hundred times… For that I’m sorry. But nonetheless the song is about her and her being mean to me. The pinnacle of our relationship came when she was playing bass guitar for the Patrick Porter band. They had a little gig at a coffee shop and I totally spoiled the show for everyone. I didn’t know I did that when I did it but looking back now I feel, yet again, really bad for it. Stuff like me taking Patrick’s guitar and trying to play and sing. I was always out of key back then so I’m sure it was horrible for those around me. Plus I was just always talking and wouldn’t shut up…
            The title Rich Kid came from back when I was in high school. I lived in a rundown trailer while the rest of the town was living in McMansions. It always hurt me because I’d be made fun of all the time for having just “one” car in my family. There was this handsome guy who drove a truck and he said he paid for it all with his part time coffee shop job. I knew he would never be able to afford a brand new vehicle working there so I called him out on it.
            Maybe that girl was from a rich family too? Meh…

10: Chai
            This song was always intended as a solo song with just me and a guitar. To be honest though I probably would have added drums if Fernando hadn’t left so early in the recording process. But I think it works out alright. Brian was sort of making fun of me or something, I don’t know… I was pretty drunk by the time I did vocals and I think I was crying throughout singing it.
            The song is about how the scene can be your friend and enemy at the same time. “I will die along / dressed in smoke” came from how the bars here in Denver used to allow smoking in their facilities. Not anymore though, which is good because I need to quit smoking.
            The song is sort of like a anti love letter to some of the people in the “scene.” I just never really felt welcome. This song is about not fitting in. Although it would of sounded a lot better with drums I think it does the trick with me solo. At least I hope it does?
            I suppose it’s up to you to decide.

11: One More Song
            My favorite all time local band was called “The Symptoms.” They broke up just as they were writing amazing songs due to inter-band conflict. The bassist wound up going into The Overcasters while the singer / guitarist and drummer went on to form Lion Sized.
            My favorite song by them was a song called “Yr Cool” and they didn’t even play it at their last show, which was disappointing.
            I wrote the song pretty much on the spot but I had the chorus from an earlier song. Well, just the chorus chords and melody, the final lyrics are just what I randomly sang into the microphone. It’s my favorite song on the record and it was just so much fun to play. It still is the song that I end shows with, of course with a sense of irony.
            This song is the only one with two overdubs aside from the music that the guitar and drums played. I think Sorry Desi also had one extra overdub when I clapped the sides of my legs along with my handclaps on the main vocal track.

Thursday, July 26, 2012

Days Go By


After listening to the new offspring record for about two weeks straight I’ve actually grown quite bored with it… I love those guys but this album just didn’t click for me. Sure it’s mostly punk rock but it’s the poppy and out of style tracks that stick out the most.

The Future Is Now – It has speed, it has pizzazz, but it’s utterly forgettable.

Secrets From the Underground – Again, all shine but no substance. And since when was Dexter ever part of the underground? He grew up a rich white good looking jock; there isn’t anything underground about him.

Days Go By – I’m surprised the Foo Fighters haven’t sued these guys yet.
Turning Into You – I’ve already forgotten how it goes, but I’m sure he’s talking about turning into a large penis.

Hurting As One – Do you know pain Dexter? Like real pain? Ever wake up in a flea bag motel next to a junkie transvestite prostitute covered in your own excrement? Actually that would make him pretty hardcore.

Cruising California – SELLOUT TRACK! Yet it’s catchier than Avian Flu. The pre chorus sizzles with pretty girl voices and the chorus is so dumb it’s brilliant! It’s definitely a song you love to hate.

All I Have Left Is You – This is actually a pretty good song despite it being a power ballad. It has pianos and melodic solos all throughout, plus Dexter tries to sing low and it’s actually pretty. A definite panty dropper.

OC Guns – I really don’t want to like this song but the chorus is almost worth the effort to sit through it. Almost.

Dirty Magic – One of my favorite tracks from their second album “Ignition” gets a do over and added balls. I still like the original but this is obviously just so they can play it live now and have people recognize it. As a musician myself I know how strong the urge is to remake older songs. This time it came out great!

I Wanna Secret Family With You – The chorus is so fucking retarded and catchy that you’ll find yourself singing it to other people on the bus ride home and / or annoying your friends with it. At least that’s what I’ve done…

Dividing By Zero – This is like first album Offspring. Very fast and on the verge of speed metal. Great song!
Slim Pickens Does the Right Thing and Rides the Bomb to Hell – Musically this song is completely boring. It’s the same four chords over and over again with no variation. Catchy as hell though, but if you are looking for stand out musicianship then you best go somewhere else.